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Niko Pirosmanashvili A Sitting Yellow Lion oil painting


A Sitting Yellow Lion
Painting ID::  93575
Niko Pirosmanashvili
A Sitting Yellow Lion
Date 1900s(1900s) Dimensions 80 x 99 cm (31.5 x 39 in) TTD

   
   
     

Niko Pirosmanashvili Still-Life oil painting


Still-Life
Painting ID::  93576
Niko Pirosmanashvili
Still-Life
Date 1900s Medium oil on tin-plate Dimensions 73 x 36 cm (28.7 x 14.2 in) TTD

   
   
     

Niko Pirosmanashvili A Peasant with His Grandson oil painting


A Peasant with His Grandson
Painting ID::  93577
Niko Pirosmanashvili
A Peasant with His Grandson
Date 1900s(1900s) Dimensions 56 x 75 cm (22 x 29.5 in TTD

   
   
     

Niko Pirosmanashvili The Russian-Japanese War oil painting


The Russian-Japanese War
Painting ID::  95806
Niko Pirosmanashvili
The Russian-Japanese War
157 x 107 cm (61.8 x 42.1 in) 1906 cjr

   
   
     

Niko Pirosmanashvili The Kinto's Son or Little Kinto oil painting


The Kinto's Son or Little Kinto
Painting ID::  95807
Niko Pirosmanashvili
The Kinto's Son or Little Kinto
from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 38 x 77 cm (15 x 30.3 in) cjr

   
   
     

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     Niko Pirosmanashvili
     (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

     Related Artists::.
     | Jacopo Tintoretto | Joseph Badger | kristian |


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